Chrome Dome
By: Steve Fritz
Seconds #16
1991
From the ashes of Chrome and beyond, Helios Creed continues to blast away.
By: Steve Fritz
Of
all the messengers from outer space, none have taken the stage quite
like HELIOS CREED. Transmissions from him first began appearing when he
joined Chrome for their second LP, Alien Soundtracks. He developed a
blend of hard-edged squonk, timeless fuzztone and unearthly clamor that
was unmistakable on any planet.
In the mid-80's he left Chrome to start his own Helios Creed Band. It
went through the usual phase of rotating support players and finally
seems to be reaching some stability in the last year. More important,
sightings of the tall, skinny San Francisco-based alien have also been
cited. This one took place in that notable nexus point for the unusual
bellying up to the bar for a beer, CBGB's.
Seconds: So let me get one thing straight, is it HE-lios or HELL-ios Creed?
HC: It's HE-lios. A lot of people say it the other way, and I don't bother to correct them. I find it kind of funny.
Seconds: When you took on the name, was that part of the idea?
HC: NO. When I took on that name, I was 18 and it sounded good for a
band I was making that never happened. From there I met up with Damon
[Edge] and joined Chrome. So we decided to use different names for
ourselves than our born ones, so the name stuck.
Seconds: So when did you start touring? I don't remember Chrome ever touring.
HC: You're right. Chrome never toured the states. I started touring in
1986 or something. It wasn't the greatest because I booked myself and
it didn't go to well. The first real tour with my band I did last year.
SECONDS: Would you say technology was one of the reasons why you didn't
tour? When I listen to records like Half Machine Lip Moves or Alien
Soundtracks, I had a hard time thinking of a band in the late 70's
taking that on the road.
HC: That was one of the main considerations. We did do a few live shows
then but it was more around the time of Blood On The Moon. That album
was actually easier to do live than Alien Soundtracks. It was more of a
live sound.
SECONDS: So would you say you've finally gotten your sound so you can do it live?
HC: Yeah. I would like to use more effects and stuff tahn I take, but I still can do a full set ow.
SECONDS: Is that a guitar synthesizer you're using?
HC: Yeah, but I still have a regular guitar set up that has an average
fuzztone/wah-wah pedal, chorus thing and some electro-harmonics that
you can't get any more.
SECONDS: So are you recording a new album right now?
HC: No. I'm finishing writing it, then we're going to do another tour
over the summer. Lately, I've also been in the studio producing this
new band called Fyre. This year I'm starting to get calls to produce,
which is something I've been wanting to do.
SECONDS: So would you say people are finally recognizing you as your
own person or are you still considered the former guitar player for
Chrome?
HC: More and more people are starting to acknowledge my own thing, now
more so than connectine me with Chrome. It's now about 50/50.
SECONDS: Does it bother you? I thought Chrome blew after you left.
HC: A little. The reason why Chrome sounded so different after I left
is because I wrote a lot of the material. It became a different band
after I left. I also did a lot of the vocals. When I left I took my
sound with me.
SECONDS: What always got me was when people used as much technology as
you do and they end up making happy, space-time new age music. Your
stuff rocks.
HC: They get too mellow. I listen to the Butthole Surfers and I think
they do a lot of the same things. The thing is there's not really a
genre for us. I think what I'm doing is what metal should have done.
The problem with most metal is it tries too much to sound like every
other metal band. When you hear the term heavy metal, you can pretty
much know what it's going to sound like. I'm trying to stay
unpredictable. I remember seeing early Black Sabbath when they started
out and thought they were great. Now I don't want to hear all these
bands that sound just like them.
SECONDS: If anything, I think the band that sounds closest to you was the original Hawkwind, when Lemmy played bass for them.
HC: Yeah. I remember having Space Ritual and playing it a lot. I
thought it was a little mellow for me but still it struck me as one of
the things I wanted to do.
SECONDS: I was thinking more about the time they did "Silver Machine."
HC: Yeah right! You know we were supposed to open for them? If I didn't have my tour booked, I would have done that.
SECONDS: Did you know that Lemmy played with them in :A?
HC: Oh really! Wow! That would have been great! To be in the same club
as Lemmy would've meant that the club had been packed. Oh, well. I'd
have liked to have done that. You see we call real rock "meat &
potatoes." So I can't conceive of doing that spacey stuff without the
meat and potatoes. Separately, they're both too generic for me.
SECONDS: Are there any guitar players you listen to today and like what they do?
HC: Off and on I like what Steve Albini and Paul from the Butts do.
Adrian Belew is great. What he does on guitar blows my mind. Robert
Fripp and Steve Vai also. I just wonder why they don't influence more
guitar players. You go out there and you just don't hear that much
tripped-out guitar anymore. There's nobody who's really innovative and
different in the big time. Adrian Belew sells a few records and that's
about it.

